COML103 - Cinema and Revolution

Status
O
Activity
SEM
Section number integer
401
Title (text only)
Cinema and Revolution
Term
2021C
Subject area
COML
Section number only
401
Section ID
COML103401
Course number integer
103
Meeting times
M 05:15 PM-08:15 PM
Meeting location
BENN 25
Level
undergraduate
Instructors
Matthew David Schlesinger
Description
Can cinema be revolutionary? From Sergei Eisenstein's Battleship Potemkin to Boots Riley's Sorry to Bother You, filmmakers have long grappled with political revolution. In this course we'll study films that take moments of revolutionary upheaval as their subject, and cinema made during times of revolution. Can cinematic techniques challenge the status quo? How have filmmakers navigated the complex politics of cinematic production and distribution in moments of censorship and repression? Are art and propaganda always different? Students will give two oral presentations: one will be a detailed analysis of a single scene, and another will consider the politics of a film of their choosing. Open to all, including those with no prior background in cinema studies.
Course number only
103
Cross listings
CIMS105401
Use local description
No

Sonal Khullar

Sonal Khullar specializes in the art of South Asia from the eighteenth century onward. Drawing on scholarship in anthropology, feminist theory, and postcolonial studies, her research and teaching interrogate the global turn in art history rather than taking its significance and implications for granted.

Josephine Park

Josephine Park is a member of the faculty steering committee of the Asian American Studies Program, and she specializes in twentieth-century American literature and culture, with an emphasis on American Orientalism and Asian American literature.

Julia Alekseyeva

Julia Alekseyeva is an Assistant Professor of English and Cinema and Media Studies at the University of Pennsylvania. She received her Ph.D. in 2017 from Harvard University’s Department of Comparative Literature, with a secondary field in Film and Visual Studies, and has taught at Harvard and Brooklyn College. Prior to her appointment at Penn, she was a postdoctoral fellow in the Reischauer Institute of Japanese Studies. She researches the interactions between global media and radical leftist politics.

Mauro Calcagno

Prof. Calcagno is a musicologist and cultural theorist. He received his Ph.D. in Music from Yale in 2000, taught at Harvard until 2008 and at Stony Brook until 2013. His work focuses on opera studies, early modern music, performance studies, and digital humanities.