The tumultuous political and economic history of modern China has been mirrored in and shaped by equally fundamental revolutions in language and poetic expression. In this course, we will take Chinese poetry as a crucible in which we can observe the interacting forces of literary history and social change. From diplomats who saw poetry as a medium for cultural translation between China and the world, to revolutionaries who enlisted poetry in the project of social transformation, we will examine the lives and works of some of China’s most prominent poets and ask, what can we learn about modern China from reading their poetry? In asking this question, we will also reckon with the strengths and limitations of using poetry as an historical source. In addition to poems, the course will include fiction, essays, photographs, and films by both Chinese and non-Chinese artists that place our poets in a broader context. We will pay close attention to how these poets represent China’s place in the world, as well as the role of language in social change. Topics of discussion include: national identity, revolution, translation, gender, the body, ethnicity, and technology.
Familiarity with Chinese or related cultural context is beneficial, but not required.
This course introduces students to Chinese poetry in English translation. Students will leave the course with an in-depth understanding of the main figures, themes, and techniques of Chinese poetry, and will be introduced to some of the major developments in the history of China. Through a focus on primary texts, students will develop the vocabulary and analytical skills to appreciate and analyze poetry in translation and will gain confidence as writers thinking about literary texts.

The tumultuous political and economic history of modern China has been mirrored in and shaped by equally fundamental revolutions in language and poetic expression. In this course, we will take Chinese poetry as a crucible in which we can observe the interacting forces of literary history and social change. From diplomats who saw poetry as a medium for cultural translation between China and the world, to revolutionaries who enlisted poetry in the project of social transformation, we will examine the lives and works of some of China’s most prominent poets and ask, what can we learn about modern China from reading their poetry? In asking this question, we will also reckon with the strengths and limitations of using poetry as an historical source. In addition to poems, the course will include fiction, essays, photographs, and films by both Chinese and non-Chinese artists that place our poets in a broader context. We will pay close attention to how these poets represent China’s place in the world, as well as the role of language in social change. Topics of discussion include: national identity, revolution, translation, gender, the body, ethnicity, and technology. Familiarity with Chinese or related cultural context is beneficial, but not required. This course introduces students to Chinese poetry in English translation. Students will leave the course with an in-depth understanding of the main figures, themes, and techniques of Chinese poetry, and will be introduced to some of the major developments in the history of China. Through a focus on primary texts, students will develop the vocabulary and analytical skills to appreciate and analyze poetry in translation and will gain confidence as writers thinking about literary texts.

This course critically examines the way in which "survival" has been/continues to be defined as individual triumph in the 20th and 21st century. The intent here is to dig deeper into current buzzwords like "resilience," "wellness," "grit," and "care" to ask how such concepts have been constructed in different socio-historical moments, by and for whom, and towards what (social, cultural, political, economic) ends. We will pay special attention to the central role that the child plays in these discourses as an icon of both ultimate vulnerability and idealized resilience, and we'll consider the burdens and privileges that such centering might confer upon real-life children. We engage with a generically diverse body of contemporary multiethnic and transnational literature featuring children and young people in crisis, including texts from Black, Latine, Native, Asian and White U.S. writers as well as Dutch, Argentine, Iranian, Malaysian, and Afghan authors. All non-English texts will be read in English translation, with the option for students to read in the original language if they wish and are able. Learning to dialogue across cultures and learning from such interactions with these texts and one other will be an essential part of our approach to exploring these complex questions.

Karl Marx’s masterpiece Capital received little attention at the time of its publication, but gained new life in the twentieth and twenty-first centuries. The afterlives of Capital, however, took disparate forms across different regions and traditions globally: while working on the same text, these traditions gave rise to conflicting and contradictory interpretations, antagonistic dialogues, and cross-disciplinary encounters. This seminar will examine a series of exemplary interpretations of Capital with attention to detail in order to clarify the stakes of different readings and pose the question of relevance of Marx’s masterpiece for the contemporary moment. We will investigate how political conjunctures, regional specificities, and ideological concerns shape disparate modes and cultures of reading. We will also examine how Capital is transfigured through the lens of disciplines such as literary studies and comparative literature, philosophy, political science, postcolonial studies, and economics. We will also pose the question of philosophical genealogies of Capital, tracing how divergent philosophical backgrounds inflect the reconfigurations of Marx’s thought, e.g., in examining “Hegelian,” “Spinozist,” and “Epicurian” readings. The topics may include, but are not limited to, the following regions and traditions: France (Louis Althusser group), Italy (Mario Tronti and autonomia tradition), and Germany (Neue Marx Lektüre); Soviet Union (Isaak Rubin, Evald Ilyenkov); Bolivia (Alvaro Garcia Linera), and Argentina (Ernesto Laclau). Finally, we will engage with the most recent readings of Capital in the twenty-first century in the works of thinkers such as Sylvia Federici, Michael Heinrich, and A. Kiarina Kordela, among others.