REMEMBERING DANIEL DEWISPELARE (1983-2024), ASSOCIATE PROFESSOR OF ENGLISH AT GEORGE WASHINGTON UNIVERSITY AND GRADUATE OF THE COMPARATIVE LITERATURE AND LITERARY THEORY PROGRAM

The University of Pennsylvania Program in Comparative Literature and Literary Theory and its communities join many others in mourning the untimely passing of our alumnus, Daniel DeWispelare (1983-2024). Daniel was Associate Professor at the George Washington University. He completed his undergraduate degree at the University of Colorado before coming to Penn to complete his Ph.D. He was Visiting Assistant Professor at Bilkent University in Ankara, Türkiye, before joining the GW Department of English.

Joan DeJean, Professor of Romance Languages and Comparative Literature and Literary Theory died December 2, 2023

Joan DeJean, Trustee Professor Emerita of Romance Languages in the School of Arts & Sciences and the Comparative Literature and Literary Theory Program, renowned scholar of 17th- and 18th-century French literature,  died on December 2 of ALS.   She was 75 years old.

COML9999 - Modern Literature in South Asia

Status
X
Activity
IND
Section number integer
5
Title (text only)
Modern Literature in South Asia
Term
2024A
Subject area
COML
Section number only
005
Section ID
COML9999005
Course number integer
9999
Meeting times
CANCELED
Level
graduate
Instructors
Kevin M.F. Platt
Description
Designed to allow students to pursue a particular research topic under the close supervision of an instructor.
Course number only
9999
Use local description
No

COML1500 - Greek & Roman Mythology

Status
A
Activity
REC
Section number integer
403
Title (text only)
Greek & Roman Mythology
Term
2024A
Subject area
COML
Section number only
403
Section ID
COML1500403
Course number integer
1500
Meeting times
F 1:45 PM-2:44 PM
Meeting location
COHN 237
Level
undergraduate
Instructors
Benjamin T Abbott
Peter T. Struck
Description
Myths are traditional stories that have endured many years. Some of them have to do with events of great importance, such as the founding of a nation. Others tell the stories of great heroes and heroines and their exploits and courage in the face of adversity. Still others are simple tales about otherwise unremarkable people who get into trouble or do some great deed. What are we to make of all these tales, and why do people seem to like to hear them? This course will focus on the myths of ancient Greece and Rome, as well as a few contemporary American ones, as a way of exploring the nature of myth and the function it plays for individuals, societies, and nations. We will also pay some attention to the way the Greeks and Romans themselves understood their own myths. Are myths subtle codes that contain some universal truth? Are they a window on the deep recesses of a particular culture? Are they entertaining stories that people like to tell over and over? Are they a set of blinders that all of us wear, though we do not realize it? We investigate these questions through a variety of topics creation of the universe between gods and mortals, religion and family, sex, love, madness, and death.
Course number only
1500
Cross listings
CLST1500403
Fulfills
Arts & Letters Sector
Cross Cultural Analysis
Use local description
No

The Thomas Salto, Timmy Straw's latest poetry book

Picked by the Washington Post as one of The Best Poetry Selections for 2023, Timmy Straw's The Thomas Salto takes its name from a difficult and dangerous move in gymnastics, a leaping triple flip popularized during the last years of the Cold War. Both in its Reagan-grained historicity, and in the human body that bears the leap’s flight and risk, the Thomas salto is a kinetic figure for these poems’ action in time and space.

In Conversation with the 2023 PEN Translates Awards Translators: Deanna Cachoian-Schanz on the Mania of Translation

Translator Deanna Cachoian-Schanz was awarded one of the prestigious PEN Translates grants earlier this year for her work on Shushan Avagyan’s Girq-anvernakira rich, experimental novel that speaks to repressions, literary legacy, and the expansive collisions between disparate writings, voices, times, and lives.